As Collingwood Collective Racing continues to pedal forward, it does so with the community’s heart beating strong at its core, promising a brighter, more inclusive future for youth cycling.
By Cara Williams, photography by Jody Wilson
Tim Oliver turned his passion for stand-up paddleboard racing into international success, fueled by family support and the demanding conditions of Georgian Bay.
by Cara Williams, photos by Warren Won
Marking the MS Chi-Cheemaun’s 50th year of service on the Great Lakes, we celebrate a voyage that transformed a ferry into a community icon, embodying half a century of community, culture, and connection.
By John Fearnall, photography by John Fearnall and Fritz W. Schuller, MPA.
This spring, Blue Mountain Resort launches Leadership Camps, merging leadership-in training, resort attractions and environmental stewardship into a transformative experience for youth. It’s an all-inclusive adventure that promises to be both educational and exhilarating.
By Cara Williams, photography courtesy of Blue Mountain Resort
Southern Georgian Bay is undergoing change. From a real estate market perspective, where are we now, and where do we go from here? Escarpment Magazine interviewed local realtors, developers, municipal planners, and property appraisers to get their take on the past and present state of the market, current development activity, and predictions moving forward.
By Marc Huminilowycz
Collingwood artist Kaz Jones honours our shipbuilding legacy, transforming storied vessels of the Great Lakes through her canvas into a captivating blend of history and personal exploration.
By Kate MacLennan
The making of the Blue Mountain Film Festival is a story that’s part blockbuster, part fairytale. It’s a narrative about how leaders and a passionate community came together to launch a film festival poised to become an entertainment landmark.
By Cara Williams
Once abundant, Georgian Bay whitefish numbers have declined rapidly and substantially. To protect them, the Bagida’waad Alliance has cast a wide net.
By Kate MacLennan, photography by Natasha Akiwenzie
